Ugly

How we interpret dreams

Ugly in a dream: what does it mean?

Dreams in which the dreamer or somebody else is ugly are reported for the reaction rather than the appearance, and the face is rarely describable afterwards.

Browse all symbols

How do the four traditions read it?

Each reading below comes from a named tradition and a cited source, so you can see where it came from and decide what fits your dream. The four often disagree, and that is the point: a symbol rarely means one fixed thing, and the distance between Freud, Jung, modern research and myth tells you more than any single verdict could.

How did Freud read this symbol?

Freud would attend to who was looking, since a dream about appearance has installed an observer, and would ask whose judgement the dreamer was accepting.

After Freud, The Interpretation of Dreams (Brill trans., 1913), public domain.

How did Jung read this symbol?

A Jungian reading would treat the shadow as material to be recognised rather than a verdict on a face, and would be careful, since a dream that calls something ugly is usually reporting a fear rather than a fact.

Our summary of a Jungian reading, in our own words, not Jung's. See Jung, ed., Man and His Symbols (1964).

What does modern dream research say?

Faces in dreams are unstable and frequently unrecognisable on waking, which is well documented. Body-image content tracks waking preoccupation rather than any reality about a person, and a dream is not evidence about anybody's appearance including the dreamer's.

Our summary of the neurocognitive account. See Domhoff, The Emergence of Dreaming (2018).

What do myth and folklore say?

Standards of appearance have varied so completely across traditions and periods that any appeal to a natural standard collapses immediately on contact with the record, which is the most useful thing this page can say.

Rosmerta Publishing editorial synthesis (after Frazer).

How can writers use this symbol?

The same symbol, read as craft material rather than as a dream. What it does on the page, how genres use it differently, and what happens when you turn it inside out. Written for novelists, screenwriters and poets who need the symbol to actually work, and it ends with something to try.

Where does this appear in literature?

The word is a judgement rather than a description, and a writer using it has told the reader about the narrator rather than about the face.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

What does it do in a story?

It is a social verdict presented as a physical fact, which is why it does so much quiet damage in fiction and out of it.

What are the genre conventions?

Fairy tale ties it to character, which is one of the more harmful conventions in the tradition. Contemporary fiction mostly refuses the equation.

How to subvert it

Write a character everybody calls plain who is never described at all.

Try this

Write three hundred words of a face seen by somebody who loves it.

Only the first of these names a source. What a symbol does in a story, how genres treat it, how to invert it and what to try are our editorial judgement as writers and editors, not findings from a body of research. They are offered as craft opinion and should be argued with.

The books behind these readings

These are the books this entry actually draws on, not a general reading list. Where a text is in the public domain we link the free copy first, because you should not have to pay for something you can read for nothing. Every edition listed has been checked to exist and to be the right one.

  • The Interpretation of Dreams

    Sigmund Freud

    The source behind every Freud reading in the dictionary. This is the 1913 Brill translation we adapt from, and it is free to read online.

  • Man and His Symbols

    Carl Jung

    The accessible Jung, and the honest place to start for the archetype material our Jung readings summarise.

  • The Golden Bough

    James George Frazer

    Cross-cultural context for the myth readings. Public domain and free to read online.

Rosmerta Publishing is a member of the Bookshop.org and Amazon Associates affiliate programs. If you buy a book through these links we may earn a small commission, at no extra cost to you. The public-domain texts are always free to read online.

This is a starting point to think with, not a verdict. Your own associations matter most.

If distressing nightmares keep returning, it can help to talk them over with a doctor or therapist.

Interpretations are adapted in our own words from public-domain sources, including G. H. Miller, Ten Thousand Dreams Interpreted (1901), Freud (Brill translation, 1913), and Artemidorus, with cross-cultural context from Bulfinch and others. Jungian and modern-cognitive entries are original summaries of those ideas. See the bibliography for full sources.

Scroll to Top