Throwing a pot

How we interpret dreams

Throwing a pot in a dream: what does it mean?

Shaping clay on a spinning wheel, which is called throwing from an old word meaning to twist rather than from anything being thrown.

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How do the four traditions read it?

Each reading below comes from a named tradition and a cited source, so you can see where it came from and decide what fits your dream. The four often disagree, and that is the point: a symbol rarely means one fixed thing, and the distance between Freud, Jung, modern research and myth tells you more than any single verdict could.

How did Freud read this symbol?

Freud would attend to the speed of it. A pot takes a minute or two and a lifetime to learn, and he would ask what the dreamer does quickly after years of not being able to.

After Freud, The Interpretation of Dreams (Brill trans., 1913), public domain.

How did Jung read this symbol?

A Jungian reading might note that the machine does nothing. The wheel only turns; every shape is made by pressure from a hand, so the tool supplies motion and no form at all.

Our summary of a Jungian reading, in our own words, not Jung's. See Jung, ed., Man and His Symbols (1964).

What does modern dream research say?

Making and shaping appear in dream reports, and content analysis records such purposeful activity among ordinary reported dream content.

Our summary of the content-analysis findings. See Hall and Van de Castle, The Content Analysis of Dreams (1966).

What do myth and folklore say?

The Old English thrawan meant to twist or turn, which is where the term comes from, and the modern sense of hurling is a later development of the same word.

Rosmerta Publishing editorial synthesis (after Brewer).

How can writers use this symbol?

The same symbol, read as craft material rather than as a dream. What it does on the page, how genres use it differently, and what happens when you turn it inside out. Written for novelists, screenwriters and poets who need the symbol to actually work, and it ends with something to try.

Where does this appear in literature?

Nothing is thrown. The word meant to twist, and the modern sense of hurling something arrived later and stole the obvious reading.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

What does it do in a story?

A shape made entirely by pressure.

What are the genre conventions?

A wall rising between two fingers, thinning as it goes up.

How to subvert it

Write the thrown pot made without a wheel.

Try this

Two hundred words about a machine that supplies only motion.

Only the first of these names a source. What a symbol does in a story, how genres treat it, how to invert it and what to try are our editorial judgement as writers and editors, not findings from a body of research. They are offered as craft opinion and should be argued with.

The books behind these readings

These are the books this entry actually draws on, not a general reading list. Where a text is in the public domain we link the free copy first, because you should not have to pay for something you can read for nothing. Every edition listed has been checked to exist and to be the right one.

  • The Interpretation of Dreams

    Sigmund Freud

    The source behind every Freud reading in the dictionary. This is the 1913 Brill translation we adapt from, and it is free to read online.

  • Man and His Symbols

    Carl Jung

    The accessible Jung, and the honest place to start for the archetype material our Jung readings summarise.

Rosmerta Publishing is a member of the Bookshop.org and Amazon Associates affiliate programs. If you buy a book through these links we may earn a small commission, at no extra cost to you. The public-domain texts are always free to read online.

This is a starting point to think with, not a verdict. Your own associations matter most.

If distressing nightmares keep returning, it can help to talk them over with a doctor or therapist.

Interpretations are adapted in our own words from public-domain sources, including G. H. Miller, Ten Thousand Dreams Interpreted (1901), Freud (Brill translation, 1913), and Artemidorus, with cross-cultural context from Bulfinch and others. Jungian and modern-cognitive entries are original summaries of those ideas. See the bibliography for full sources.

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