Scree

How we interpret dreams

Scree in a dream: what does it mean?

A slope of loose broken rock that moves under your weight, so going up it costs more than the height suggests.

Browse all symbols

How do the four traditions read it?

Each reading below comes from a named tradition and a cited source, so you can see where it came from and decide what fits your dream. The four often disagree, and that is the point: a symbol rarely means one fixed thing, and the distance between Freud, Jung, modern research and myth tells you more than any single verdict could.

How did Freud read this symbol?

Freud would attend to the ground giving way upward. Effort that partly undoes itself with every step is a specific frustration, and he would ask what the dreamer was working at that kept sliding back.

After Freud, The Interpretation of Dreams (Brill trans., 1913), public domain.

How did Jung read this symbol?

A Jungian reading might note that scree is the mountain coming apart. Walking on it is walking on the pieces of the thing being climbed, which are on their way down while the climber goes up.

Our summary of a Jungian reading, in our own words, not Jung's. See Jung, ed., Man and His Symbols (1964).

What does modern dream research say?

Impeded movement and effortful progress recur in dream reports, and content analysis records difficulty of motion among the more frequently described impediments in dream narratives.

Our summary of the content-analysis findings. See Hall and Van de Castle, The Content Analysis of Dreams (1966).

What do myth and folklore say?

It settles at an angle set by the shape of the fragments and will not hold steeper than that, so every scree slope in a range tends to the same pitch whatever the rock.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

How can writers use this symbol?

The same symbol, read as craft material rather than as a dream. What it does on the page, how genres use it differently, and what happens when you turn it inside out. Written for novelists, screenwriters and poets who need the symbol to actually work, and it ends with something to try.

Where does this appear in literature?

Every scree slope in a range sits at about the same angle, whatever the rock. The pieces decide the shape.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

What does it do in a story?

Ground that partly undoes each step.

What are the genre conventions?

Loose stone, a slide back, and the top no closer.

How to subvert it

Write coming down it, which is easy and terrifying.

Try this

Two hundred words about effort that gives back a portion of itself every time.

Only the first of these names a source. What a symbol does in a story, how genres treat it, how to invert it and what to try are our editorial judgement as writers and editors, not findings from a body of research. They are offered as craft opinion and should be argued with.

The books behind these readings

These are the books this entry actually draws on, not a general reading list. Where a text is in the public domain we link the free copy first, because you should not have to pay for something you can read for nothing. Every edition listed has been checked to exist and to be the right one.

  • The Interpretation of Dreams

    Sigmund Freud

    The source behind every Freud reading in the dictionary. This is the 1913 Brill translation we adapt from, and it is free to read online.

  • Man and His Symbols

    Carl Jung

    The accessible Jung, and the honest place to start for the archetype material our Jung readings summarise.

Rosmerta Publishing is a member of the Bookshop.org and Amazon Associates affiliate programs. If you buy a book through these links we may earn a small commission, at no extra cost to you. The public-domain texts are always free to read online.

This is a starting point to think with, not a verdict. Your own associations matter most.

If distressing nightmares keep returning, it can help to talk them over with a doctor or therapist.

Interpretations are adapted in our own words from public-domain sources, including G. H. Miller, Ten Thousand Dreams Interpreted (1901), Freud (Brill translation, 1913), and Artemidorus, with cross-cultural context from Bulfinch and others. Jungian and modern-cognitive entries are original summaries of those ideas. See the bibliography for full sources.

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