Head

How we interpret dreams

Head in a dream: what does it mean?

The part of the body that thinks and is looked at makes a loaded dream image, and the reported detail is frequently that it is separate, wrong-sized, or somebody else's.

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How do the four traditions read it?

Each reading below comes from a named tradition and a cited source, so you can see where it came from and decide what fits your dream. The four often disagree, and that is the point: a symbol rarely means one fixed thing, and the distance between Freud, Jung, modern research and myth tells you more than any single verdict could.

How did Freud read this symbol?

Freud would attend to any separation, since a dream that divides the head from the body has divided thinking from doing. He would ask which one the dreamer felt they were in.

After Freud, The Interpretation of Dreams (Brill trans., 1913), public domain.

How did Jung read this symbol?

For Jung the head can image the conscious and the ordering function, and dreams that enlarge, shrink or detach it are worth reading as comments on the balance between thinking and the rest of a life.

Our summary of a Jungian reading, in our own words, not Jung's. See Jung, ed., Man and His Symbols (1964).

What does modern dream research say?

Under the continuity view this usually follows real headache, real illness and real self-consciousness, and there is a plain physical route: genuine head pain during sleep enters dream content directly.

Our summary of the continuity hypothesis, named by Calvin Hall and Vernon Nordby, The Individual and His Dreams (1972). Its correct scope is disputed; see Domhoff (2017) and the replies to him.

What do myth and folklore say?

The head carries enormous ritual significance across traditions, from head-hunting to reliquaries to the rules about covering it, and it is treated as the seat of the person far more consistently than the heart is.

Rosmerta Publishing editorial synthesis (after Frazer; Bulfinch).

How can writers use this symbol?

The same symbol, read as craft material rather than as a dream. What it does on the page, how genres use it differently, and what happens when you turn it inside out. Written for novelists, screenwriters and poets who need the symbol to actually work, and it ends with something to try.

Where does this appear in literature?

The severed head is one of the oldest images in narrative and is now almost unusable without pastiche, which leaves the ordinary head, aching, wrongly proportioned, badly cut, as the fresher subject.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

What does it do in a story?

It stands for the whole person, which is why its treatment carries so much weight. Structurally anything done to a head in fiction is read as being done to the person.

What are the genre conventions?

Myth uses the oracle head. Horror uses the severed one. Literary fiction uses the headache, which is where most readers actually meet the subject.

How to subvert it

Write three days of a bad headache, and let it determine every decision the character makes.

Try this

Write somebody having their hair cut very short for the first time. Four hundred words, mostly the mirror.

Only the first of these names a source. What a symbol does in a story, how genres treat it, how to invert it and what to try are our editorial judgement as writers and editors, not findings from a body of research. They are offered as craft opinion and should be argued with.

The books behind these readings

These are the books this entry actually draws on, not a general reading list. Where a text is in the public domain we link the free copy first, because you should not have to pay for something you can read for nothing. Every edition listed has been checked to exist and to be the right one.

  • The Interpretation of Dreams

    Sigmund Freud

    The source behind every Freud reading in the dictionary. This is the 1913 Brill translation we adapt from, and it is free to read online.

  • Man and His Symbols

    Carl Jung

    The accessible Jung, and the honest place to start for the archetype material our Jung readings summarise.

  • The Golden Bough

    James George Frazer

    Cross-cultural context for the myth readings. Public domain and free to read online.

Rosmerta Publishing is a member of the Bookshop.org and Amazon Associates affiliate programs. If you buy a book through these links we may earn a small commission, at no extra cost to you. The public-domain texts are always free to read online.

This is a starting point to think with, not a verdict. Your own associations matter most.

If distressing nightmares keep returning, it can help to talk them over with a doctor or therapist.

Interpretations are adapted in our own words from public-domain sources, including G. H. Miller, Ten Thousand Dreams Interpreted (1901), Freud (Brill translation, 1913), and Artemidorus, with cross-cultural context from Bulfinch and others. Jungian and modern-cognitive entries are original summaries of those ideas. See the bibliography for full sources.

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