Coffin plate

How we interpret dreams

Coffin plate in a dream: what does it mean?

A metal plate on the lid with the name, the dates and nothing else, which is the shortest biography anybody gets and is buried with them.

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How do the four traditions read it?

Each reading below comes from a named tradition and a cited source, so you can see where it came from and decide what fits your dream. The four often disagree, and that is the point: a symbol rarely means one fixed thing, and the distance between Freud, Jung, modern research and myth tells you more than any single verdict could.

How did Freud read this symbol?

Freud would attend to the brevity. A whole life is reduced to a name and two numbers, and he would ask what the dreamer would put on a plate that size.

After Freud, The Interpretation of Dreams (Brill trans., 1913), public domain.

How did Jung read this symbol?

A Jungian reading might note who reads it. It is visible for a few days and then goes into the ground, so the most carefully engraved object in the funeral is seen by almost nobody.

Our summary of a Jungian reading, in our own words, not Jung's. See Jung, ed., Man and His Symbols (1964).

What does modern dream research say?

Names and inscriptions appear in dream reports, and content analysis records such content among ordinary reported dream material.

Our summary of the content-analysis findings. See Hall and Van de Castle, The Content Analysis of Dreams (1966).

What do myth and folklore say?

They are recovered and recorded when burials are excavated, and are frequently the only surviving identification of an individual grave.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

How can writers use this symbol?

The same symbol, read as craft material rather than as a dream. What it does on the page, how genres use it differently, and what happens when you turn it inside out. Written for novelists, screenwriters and poets who need the symbol to actually work, and it ends with something to try.

Where does this appear in literature?

It is engraved with great care and buried within a week. Archaeologists find them, and they are sometimes the only way anybody knows who is there.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

What does it do in a story?

A biography the size of a hand.

What are the genre conventions?

A name, two dates, and an age in years, on a rectangle of brass.

How to subvert it

Write the coffin plate that stays above ground.

Try this

Two hundred words about a whole life in three lines.

Only the first of these names a source. What a symbol does in a story, how genres treat it, how to invert it and what to try are our editorial judgement as writers and editors, not findings from a body of research. They are offered as craft opinion and should be argued with.

The books behind these readings

These are the books this entry actually draws on, not a general reading list. Where a text is in the public domain we link the free copy first, because you should not have to pay for something you can read for nothing. Every edition listed has been checked to exist and to be the right one.

  • The Interpretation of Dreams

    Sigmund Freud

    The source behind every Freud reading in the dictionary. This is the 1913 Brill translation we adapt from, and it is free to read online.

  • Man and His Symbols

    Carl Jung

    The accessible Jung, and the honest place to start for the archetype material our Jung readings summarise.

Rosmerta Publishing is a member of the Bookshop.org and Amazon Associates affiliate programs. If you buy a book through these links we may earn a small commission, at no extra cost to you. The public-domain texts are always free to read online.

This is a starting point to think with, not a verdict. Your own associations matter most.

If distressing nightmares keep returning, it can help to talk them over with a doctor or therapist.

Interpretations are adapted in our own words from public-domain sources, including G. H. Miller, Ten Thousand Dreams Interpreted (1901), Freud (Brill translation, 1913), and Artemidorus, with cross-cultural context from Bulfinch and others. Jungian and modern-cognitive entries are original summaries of those ideas. See the bibliography for full sources.

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