QR code

How we interpret dreams

QR code in a dream: what does it mean?

A picture that is not for you to read, printed in a place where you are expected to read things.

Browse all symbols

How do the four traditions read it?

Each reading below comes from a named tradition and a cited source, so you can see where it came from and decide what fits your dream. The four often disagree, and that is the point: a symbol rarely means one fixed thing, and the distance between Freud, Jung, modern research and myth tells you more than any single verdict could.

How did Freud read this symbol?

Freud would attend to the exclusion. Information is put in front of somebody in a form they cannot use unaided, and he would ask what the dreamer needed a device to interpret.

After Freud, The Interpretation of Dreams (Brill trans., 1913), public domain.

How did Jung read this symbol?

A Jungian reading might note that it hides its destination. A printed address can be read and judged before it is followed, and this one cannot, so following it is an act of trust in whoever printed it.

Our summary of a Jungian reading, in our own words, not Jung's. See Jung, ed., Man and His Symbols (1964).

What does modern dream research say?

Text that cannot be read is a recurring feature of dream reports, and the neurocognitive account records writing in dreams as commonly unstable or illegible.

Our summary of the neurocognitive account. See Domhoff, The Emergence of Dreaming (2018).

What do myth and folklore say?

The three large squares in the corners are there so the reader can work out which way up it is, which is the same problem a page solves with a margin.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

How can writers use this symbol?

The same symbol, read as craft material rather than as a dream. What it does on the page, how genres use it differently, and what happens when you turn it inside out. Written for novelists, screenwriters and poets who need the symbol to actually work, and it ends with something to try.

Where does this appear in literature?

The three big squares in the corners are just there to say which way up it is.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

What does it do in a story?

Writing addressed to a machine, in a place meant for people.

What are the genre conventions?

A black-and-white square on a menu.

How to subvert it

Write the code a person can read.

Try this

Two hundred words about following an address you were not allowed to see.

Only the first of these names a source. What a symbol does in a story, how genres treat it, how to invert it and what to try are our editorial judgement as writers and editors, not findings from a body of research. They are offered as craft opinion and should be argued with.

The books behind these readings

These are the books this entry actually draws on, not a general reading list. Where a text is in the public domain we link the free copy first, because you should not have to pay for something you can read for nothing. Every edition listed has been checked to exist and to be the right one.

  • The Interpretation of Dreams

    Sigmund Freud

    The source behind every Freud reading in the dictionary. This is the 1913 Brill translation we adapt from, and it is free to read online.

  • Man and His Symbols

    Carl Jung

    The accessible Jung, and the honest place to start for the archetype material our Jung readings summarise.

Rosmerta Publishing is a member of the Bookshop.org and Amazon Associates affiliate programs. If you buy a book through these links we may earn a small commission, at no extra cost to you. The public-domain texts are always free to read online.

This is a starting point to think with, not a verdict. Your own associations matter most.

If distressing nightmares keep returning, it can help to talk them over with a doctor or therapist.

Interpretations are adapted in our own words from public-domain sources, including G. H. Miller, Ten Thousand Dreams Interpreted (1901), Freud (Brill translation, 1913), and Artemidorus, with cross-cultural context from Bulfinch and others. Jungian and modern-cognitive entries are original summaries of those ideas. See the bibliography for full sources.

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