Shiver

How we interpret dreams

Shiver in a dream: what does it mean?

The body shaking itself to make heat, which is why the same movement arrives with cold and with fear and means two different things.

Browse all symbols

How do the four traditions read it?

Each reading below comes from a named tradition and a cited source, so you can see where it came from and decide what fits your dream. The four often disagree, and that is the point: a symbol rarely means one fixed thing, and the distance between Freud, Jung, modern research and myth tells you more than any single verdict could.

How did Freud read this symbol?

Freud would attend to the borrowed sign. Fear takes the body's warming reflex and uses it for something that has nothing to do with temperature, and he would ask which of the two the dreamer's cold really was.

After Freud, The Interpretation of Dreams (Brill trans., 1913), public domain.

How did Jung read this symbol?

A Jungian reading might note the phrase about someone walking over your grave. The language reaches straight for the dead to explain a shiver that has no draught behind it.

Our summary of a Jungian reading, in our own words, not Jung's. See Jung, ed., Man and His Symbols (1964).

What does modern dream research say?

External temperature and other bodily states during sleep are commonly taken up into dream content, and the incorporation literature records cold in particular appearing as weather or as setting.

Our summary of the incorporation literature. See Schredl and Hofmann, Continuity between waking activities and dream activities (2003).

What do myth and folklore say?

Somebody walking over your grave assumes the grave is already there and already yours, waiting in a field to be trodden on by a stranger.

Rosmerta Publishing editorial synthesis (after Brewer).

How can writers use this symbol?

The same symbol, read as craft material rather than as a dream. What it does on the page, how genres use it differently, and what happens when you turn it inside out. Written for novelists, screenwriters and poets who need the symbol to actually work, and it ends with something to try.

Where does this appear in literature?

The same shaking arrives from a draught and from bad news, and the body does not distinguish them at all.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

What does it do in a story?

One reflex serving two entirely different emergencies.

What are the genre conventions?

A person pulling a coat closed in a warm room.

How to subvert it

Write the cold that turns out to be the news.

Try this

Two hundred words about a body that cannot tell you which kind of cold this is.

Only the first of these names a source. What a symbol does in a story, how genres treat it, how to invert it and what to try are our editorial judgement as writers and editors, not findings from a body of research. They are offered as craft opinion and should be argued with.

The books behind these readings

These are the books this entry actually draws on, not a general reading list. Where a text is in the public domain we link the free copy first, because you should not have to pay for something you can read for nothing. Every edition listed has been checked to exist and to be the right one.

  • The Interpretation of Dreams

    Sigmund Freud

    The source behind every Freud reading in the dictionary. This is the 1913 Brill translation we adapt from, and it is free to read online.

  • Man and His Symbols

    Carl Jung

    The accessible Jung, and the honest place to start for the archetype material our Jung readings summarise.

Rosmerta Publishing is a member of the Bookshop.org and Amazon Associates affiliate programs. If you buy a book through these links we may earn a small commission, at no extra cost to you. The public-domain texts are always free to read online.

This is a starting point to think with, not a verdict. Your own associations matter most.

If distressing nightmares keep returning, it can help to talk them over with a doctor or therapist.

Interpretations are adapted in our own words from public-domain sources, including G. H. Miller, Ten Thousand Dreams Interpreted (1901), Freud (Brill translation, 1913), and Artemidorus, with cross-cultural context from Bulfinch and others. Jungian and modern-cognitive entries are original summaries of those ideas. See the bibliography for full sources.

Scroll to Top