Innocence

How we interpret dreams

Innocence in a dream: what does it mean?

A state visible only after it has ended, which is why the dream of it is nearly always set in the past.

Browse all symbols

How do the four traditions read it?

Each reading below comes from a named tradition and a cited source, so you can see where it came from and decide what fits your dream. The four often disagree, and that is the point: a symbol rarely means one fixed thing, and the distance between Freud, Jung, modern research and myth tells you more than any single verdict could.

How did Freud read this symbol?

Freud would doubt the category and attend to who benefits from it. Innocence attributed to a child is generally a construction of the adult remembering, and he would ask what that construction was doing for the dreamer.

After Freud, The Interpretation of Dreams (Brill trans., 1913), public domain.

How did Jung read this symbol?

A Jungian reading might treat the child as an image of possibility not yet narrowed, and note it is a figure of the future as often as of the past despite always being dreamed as memory.

Our summary of a Jungian reading, in our own words, not Jung's. See Jung, ed., Man and His Symbols (1964).

What does modern dream research say?

Childhood settings and figures recur in dream reports throughout life, and long dream series show them persisting undiminished into old age. Content analysis finds the dreamer's own age in dreams is often unfixed.

Our summary of the continuity hypothesis, named by Calvin Hall and Vernon Nordby, The Individual and His Dreams (1972). Its correct scope is disputed; see Domhoff (2017) and the replies to him. It also draws on Hall and Van de Castle, The Content Analysis of Dreams (1966).

What do myth and folklore say?

Every pastoral tradition places the uncorrupted state in a past just out of reach, and does so in every period, including periods later ones look back on as innocent. The golden age is always one generation back.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

How can writers use this symbol?

The same symbol, read as craft material rather than as a dream. What it does on the page, how genres use it differently, and what happens when you turn it inside out. Written for novelists, screenwriters and poets who need the symbol to actually work, and it ends with something to try.

Where does this appear in literature?

Every age puts the golden one just behind it, including the ages later people call golden.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

What does it do in a story?

The state you can only see the edge of, from outside.

What are the genre conventions?

A summer remembered too cleanly, a garden, and an adult narrator.

How to subvert it

Let the child be fully aware and the adult be the one not paying attention.

Try this

Two hundred words about a remembered summer, told by someone who has started to doubt the memory.

Only the first of these names a source. What a symbol does in a story, how genres treat it, how to invert it and what to try are our editorial judgement as writers and editors, not findings from a body of research. They are offered as craft opinion and should be argued with.

The books behind these readings

These are the books this entry actually draws on, not a general reading list. Where a text is in the public domain we link the free copy first, because you should not have to pay for something you can read for nothing. Every edition listed has been checked to exist and to be the right one.

  • The Interpretation of Dreams

    Sigmund Freud

    The source behind every Freud reading in the dictionary. This is the 1913 Brill translation we adapt from, and it is free to read online.

  • Man and His Symbols

    Carl Jung

    The accessible Jung, and the honest place to start for the archetype material our Jung readings summarise.

Rosmerta Publishing is a member of the Bookshop.org and Amazon Associates affiliate programs. If you buy a book through these links we may earn a small commission, at no extra cost to you. The public-domain texts are always free to read online.

This is a starting point to think with, not a verdict. Your own associations matter most.

If distressing nightmares keep returning, it can help to talk them over with a doctor or therapist.

Interpretations are adapted in our own words from public-domain sources, including G. H. Miller, Ten Thousand Dreams Interpreted (1901), Freud (Brill translation, 1913), and Artemidorus, with cross-cultural context from Bulfinch and others. Jungian and modern-cognitive entries are original summaries of those ideas. See the bibliography for full sources.

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