Arbour

How we interpret dreams

Arbour in a dream: what does it mean?

A frame built for a plant to cover, which means it is a structure designed to be hidden by the thing it holds up.

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How do the four traditions read it?

Each reading below comes from a named tradition and a cited source, so you can see where it came from and decide what fits your dream. The four often disagree, and that is the point: a symbol rarely means one fixed thing, and the distance between Freud, Jung, modern research and myth tells you more than any single verdict could.

How did Freud read this symbol?

Freud would attend to the concealment, since an arbour is built specifically to make a place in a garden where two people can sit and not be seen from the house.

After Freud, The Interpretation of Dreams (Brill trans., 1913), public domain.

How did Jung read this symbol?

A Jungian reading might take a made structure disappearing under a living one as an image of something built to be overtaken, and would find that worth staying with.

Our summary of a Jungian reading, in our own words, not Jung's. See Jung, ed., Man and His Symbols (1964).

What does modern dream research say?

It takes several years for a climber to cover one properly, which means anybody building one is doing something for a future occupant of the garden as much as for themselves.

Our summary of the continuity position. See Schredl and Hofmann, Continuity between waking activities and dream activities (2003).

What do myth and folklore say?

The bower is a fixed feature of medieval romance and functions as the one place lovers can be alone within sight of a household, which is precisely why it appears so often. The garden was the only unsupervised room. Walled gardens had gates that could be watched, which is why the arbour was built out of sight of them.

Rosmerta Publishing editorial synthesis (after Brewer).

How can writers use this symbol?

The same symbol, read as craft material rather than as a dream. What it does on the page, how genres use it differently, and what happens when you turn it inside out. Written for novelists, screenwriters and poets who need the symbol to actually work, and it ends with something to try.

Where does this appear in literature?

The garden being the only unsupervised space in a great house explains most of medieval romance, and it is a piece of architecture rather than sentiment.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

What does it do in a story?

The frame built to vanish under what it holds.

What are the genre conventions?

Roses over a bench, with two people in it.

How to subvert it

Write the four years it takes before it is any use as cover.

Try this

Two hundred words about building something for whoever comes after. They will not know who planted it.

Only the first of these names a source. What a symbol does in a story, how genres treat it, how to invert it and what to try are our editorial judgement as writers and editors, not findings from a body of research. They are offered as craft opinion and should be argued with.

The books behind these readings

These are the books this entry actually draws on, not a general reading list. Where a text is in the public domain we link the free copy first, because you should not have to pay for something you can read for nothing. Every edition listed has been checked to exist and to be the right one.

  • The Interpretation of Dreams

    Sigmund Freud

    The source behind every Freud reading in the dictionary. This is the 1913 Brill translation we adapt from, and it is free to read online.

  • Man and His Symbols

    Carl Jung

    The accessible Jung, and the honest place to start for the archetype material our Jung readings summarise.

Rosmerta Publishing is a member of the Bookshop.org and Amazon Associates affiliate programs. If you buy a book through these links we may earn a small commission, at no extra cost to you. The public-domain texts are always free to read online.

This is a starting point to think with, not a verdict. Your own associations matter most.

If distressing nightmares keep returning, it can help to talk them over with a doctor or therapist.

Interpretations are adapted in our own words from public-domain sources, including G. H. Miller, Ten Thousand Dreams Interpreted (1901), Freud (Brill translation, 1913), and Artemidorus, with cross-cultural context from Bulfinch and others. Jungian and modern-cognitive entries are original summaries of those ideas. See the bibliography for full sources.

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