Shield

How we interpret dreams

Shield in a dream: what does it mean?

The only weapon that is entirely defensive, and the one that works best when several people hold theirs in a line.

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How do the four traditions read it?

Each reading below comes from a named tradition and a cited source, so you can see where it came from and decide what fits your dream. The four often disagree, and that is the point: a symbol rarely means one fixed thing, and the distance between Freud, Jung, modern research and myth tells you more than any single verdict could.

How did Freud read this symbol?

Freud would attend to a defence that occupies a hand, since carrying one means giving up the use of an arm and the protection is bought with capability.

After Freud, The Interpretation of Dreams (Brill trans., 1913), public domain.

How did Jung read this symbol?

A Jungian reading might take a device that only works properly alongside others as an image of a defence that requires company, and would notice whether the dreamer was alone with theirs.

Our summary of a Jungian reading, in our own words, not Jung's. See Jung, ed., Man and His Symbols (1964).

What does modern dream research say?

The shield wall works because each shield covers part of the next person, which means everybody is being protected by somebody else and nobody is protecting only themselves. A line that breaks anywhere breaks everywhere.

Our summary of the continuity position. See Domhoff, The Emergence of Dreaming (2018).

What do myth and folklore say?

Heraldry exists because a man in full armour is unrecognisable, so the shield had to say who he was. An entire visual language was invented to solve the problem of not being able to see anybody's face. Heralds were employed to remember and adjudicate it. The College of Arms still does, and still refuses duplicates.

Rosmerta Publishing editorial synthesis (after Brewer).

How can writers use this symbol?

The same symbol, read as craft material rather than as a dream. What it does on the page, how genres use it differently, and what happens when you turn it inside out. Written for novelists, screenwriters and poets who need the symbol to actually work, and it ends with something to try.

Where does this appear in literature?

Each shield covering the man beside you rather than yourself is the fact that makes a line hold, and it is a better image of solidarity than any speech.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

What does it do in a story?

The defence that needs somebody next to it. Useless alone and unbreakable in a line.

What are the genre conventions?

Raised against arrows, in slow motion.

How to subvert it

Write the herald, and the problem of nobody being able to see a face.

Try this

Two hundred words about being protected by the person beside you. Neither has spoken to the other before today.

Only the first of these names a source. What a symbol does in a story, how genres treat it, how to invert it and what to try are our editorial judgement as writers and editors, not findings from a body of research. They are offered as craft opinion and should be argued with.

The books behind these readings

These are the books this entry actually draws on, not a general reading list. Where a text is in the public domain we link the free copy first, because you should not have to pay for something you can read for nothing. Every edition listed has been checked to exist and to be the right one.

  • The Interpretation of Dreams

    Sigmund Freud

    The source behind every Freud reading in the dictionary. This is the 1913 Brill translation we adapt from, and it is free to read online.

  • Man and His Symbols

    Carl Jung

    The accessible Jung, and the honest place to start for the archetype material our Jung readings summarise.

Rosmerta Publishing is a member of the Bookshop.org and Amazon Associates affiliate programs. If you buy a book through these links we may earn a small commission, at no extra cost to you. The public-domain texts are always free to read online.

This is a starting point to think with, not a verdict. Your own associations matter most.

If distressing nightmares keep returning, it can help to talk them over with a doctor or therapist.

Interpretations are adapted in our own words from public-domain sources, including G. H. Miller, Ten Thousand Dreams Interpreted (1901), Freud (Brill translation, 1913), and Artemidorus, with cross-cultural context from Bulfinch and others. Jungian and modern-cognitive entries are original summaries of those ideas. See the bibliography for full sources.

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