Mascara

How we interpret dreams

Mascara in a dream: what does it mean?

Mascara in a dream is nearly always reported as running, and the dreamer usually knows they have been crying without remembering it.

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How do the four traditions read it?

Each reading below comes from a named tradition and a cited source, so you can see where it came from and decide what fits your dream. The four often disagree, and that is the point: a symbol rarely means one fixed thing, and the distance between Freud, Jung, modern research and myth tells you more than any single verdict could.

How did Freud read this symbol?

Freud would take the visible mark as the point, since the dream has arranged for private feeling to be legible on the face, and would ask who was looking.

After Freud, The Interpretation of Dreams (Brill trans., 1913), public domain.

How did Jung read this symbol?

A Jungian reading would attend to the persona failing in a small and specific way, which is often how it fails: not a collapse, a smudge.

Our summary of a Jungian reading, in our own words, not Jung's. See Jung, ed., Man and His Symbols (1964).

What does modern dream research say?

Under the continuity view this arrives from the mirror and from photographs, and dreams in which the face is wrong are commonly reported. The neurocognitive account would add that dreamed faces are unstable in general, so a face that will not stay right is unremarkable.

Our summary of the neurocognitive account. See Domhoff, The Emergence of Dreaming (2018). The reading also uses the continuity hypothesis, named by Calvin Hall and Vernon Nordby, The Individual and His Dreams (1972).

What do myth and folklore say?

Painting around the eyes is one of the oldest attested cosmetic practices anywhere, and in several traditions it was protective and medical before it was decorative.

Rosmerta Publishing editorial synthesis (after Frazer).

How can writers use this symbol?

The same symbol, read as craft material rather than as a dream. What it does on the page, how genres use it differently, and what happens when you turn it inside out. Written for novelists, screenwriters and poets who need the symbol to actually work, and it ends with something to try.

Where does this appear in literature?

The running mascara shot has been used so heavily on screen that in prose it now reads as borrowed, and a writer wanting the effect usually has to come at it sideways. The object also dates a scene precisely, since what was on sale in a given decade is a matter of record, and readers who wore it will notice if you get it wrong.

Rosmerta Publishing editorial synthesis. Our own words; no quoted text.

What does it do in a story?

It makes an emotion visible after the fact, which is more useful to a story than the emotion itself.

What are the genre conventions?

Film uses it for the moment. Fiction uses it the morning after, in a mirror, which is the better position.

How to subvert it

Write somebody repairing it competently in a hurry and thinking about something else entirely.

Try this

Write two hundred words of a face being put back together in a station toilet.

Only the first of these names a source. What a symbol does in a story, how genres treat it, how to invert it and what to try are our editorial judgement as writers and editors, not findings from a body of research. They are offered as craft opinion and should be argued with.

The books behind these readings

These are the books this entry actually draws on, not a general reading list. Where a text is in the public domain we link the free copy first, because you should not have to pay for something you can read for nothing. Every edition listed has been checked to exist and to be the right one.

  • The Interpretation of Dreams

    Sigmund Freud

    The source behind every Freud reading in the dictionary. This is the 1913 Brill translation we adapt from, and it is free to read online.

  • Man and His Symbols

    Carl Jung

    The accessible Jung, and the honest place to start for the archetype material our Jung readings summarise.

  • The Golden Bough

    James George Frazer

    Cross-cultural context for the myth readings. Public domain and free to read online.

Rosmerta Publishing is a member of the Bookshop.org and Amazon Associates affiliate programs. If you buy a book through these links we may earn a small commission, at no extra cost to you. The public-domain texts are always free to read online.

This is a starting point to think with, not a verdict. Your own associations matter most.

If distressing nightmares keep returning, it can help to talk them over with a doctor or therapist.

Interpretations are adapted in our own words from public-domain sources, including G. H. Miller, Ten Thousand Dreams Interpreted (1901), Freud (Brill translation, 1913), and Artemidorus, with cross-cultural context from Bulfinch and others. Jungian and modern-cognitive entries are original summaries of those ideas. See the bibliography for full sources.

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